The treatment gaps in the restoration project at urban scale. The meeting between the "old" and "new"

Ref.: 78
Área temática: 01 Integridad física de los paisajes urbanos históricos
Fecha de recepción: 17/11/2008

AUTORES (* Autor principal)

MARIA VITIELLO, Maria Vitiello * (Italia) - University "La Sapienza" of Rome

ABSTRACT

The contemporary architecture were removed fromthe time of inspiring ideologies that accompanied the rhetoric of the sixties and seventies of the XX century, to escape an ideological interpretation to be more pragmatic. The design of today in a historically connoted can not include consideration of history, understood not as a review of shapes and patterns, but in its essence and phenomenal beauty of life to which it is party. Addressing a problem today 'creative' in an environment defined by a historical reality involves a dual approach. First of all I have to fix the structural rules, according to which a body is always closely connected to the system of a place. Subsequently, it must be governed by a rhythm that alternates and transformation training into a continuing metamorphosis from which explains Pareyson, 'forms proliferate in other forms, not duplicate copies and never repeats, but creating different forms yet linked to him by family with a fertility infinite and always renewable". This graft of the new in the old, then, can be conceived only in recognition of a common character formation in which the gap, the exemptions and conflicts tend to blur as far as they each work involved in the training at all. Within this then it can be argued that innovation and continuity coexist with the originality of forms. An architect-restorer, in other words, must deal with the seniority of a particular historical environment as a player, understand the deep into their training master of the rules that have governed. Act, and thus expresses, in other words, the attitude of the individual to "fit in the living process of formation" of a single work or, in its extensive value of a historical context. Finding the "shape forming" could thus be interpreted as the come into possession of appearance that the underlying legal and by which it is manifested in its concrete realization. If a factory of the past on facilities codified born from settled and structural types defined by a repeated, with variations, the volume and distribution joints, whose mechanisms are fully satisfying static properties of materials and space provided by the psycho-perceptual referred is a party, it is clear that the Compression of the organizational law of seniority comes from the critical data concrete, then comes the opportunity to reach even the definition of characters with which this needs to be interpreted. The continuity of the historical process requires the ability to identify nell'architetto the constraints to its operations the same reasons the project, in short, the themes around which to develop research field, under which, while remaining within the tradition You can renew it, grasp the deeper soul. There is no other way to continue a style, Pareyson argues, "if not one that turns it together, nor can really transform a tradition without consolidate together."

BIBLIOGRAFÍA

G. MIARELLI MARIANI, Restauro urbano: un ponte fra conservazione e sviluppo, in «Quasar», 23, 2001; G. MIARELLI MARIANI, Riflessioni su un vecchio tema, Il nuovo nella città storica, in «Restauro», n. 164, 2003; C. BRANDI, Processo all'architettura moderna, in «L'architettura. Cronache e Storia», n. 11 1956; C. BRANDI, L'inserzione del nuovo nel vecchio, ora in Struttura e Architettura, Torino 1967, pp. 225-232; G. FERRARO, Rieducazione alla speranza. Patrik Geddes planner in India, 1914-1924, Milano 1998; L. PAREYSON, Estetica. Teoria della formatività, Sonzogno 1988 ­ 2002